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National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Seattle Weekly
    Being Gary Busey

    Everybody thinks Jeff Swanson is somebody famous. And he does nothing to dissuade them of the notion.

    By Aimee Curl
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

Change gets the hype, but most things stay the same. Two decades ago, Hermosa Beach [California] H.S. grads Pennywise represented something new, drawing on a still underground skate punk sound and its blend of chunky thrash guitar, shout-along anthems and machine-gun tempos. Poised to capitalize on the early-'90s punk success of Bad Religion and the Offspring, they proved unable to follow up their indie breakthrough, 1995's About Time.

While they're still a powerful live presence, recent albums hold more appeal for their consistency than their inventiveness. It's hard to fault them, though; Pennywise is to Bad Religion what Aerosmith is to the Stones. So while their new, free MySpace album, Reason to Believe, offers catchy punk with a few wrinkles (the power pop-tinged "We'll Never Know"), there's a workmanlike banality to it.

SoCal neighbors Strung Out have been at it almost as long as Pennywise, plying a more metal-inflected skate-punk sound migrating, on the past few albums, toward greater tunefulness. While neither act scores high on originality, it's hardly worse than the ubiquity of 12-bar blues, and as music reverts from recording back to a performance art, such concerns seem less important to livewire acts like these.

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