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National Features >
City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Alicia Keys: As I Am
Published on December 13, 2007
Unlike most singers cast in the diva role, who are all about pipes and persona, Alicia Keys is a multifaceted artist adept at songwriting and arranging as well as vocal emoting. For that reason, she's among the current performers least in need of help from studio pros — yet the fingerprints of high-dollar assistants are all over As I Am. Their influence isn't fatal, but the disc feels less distinctive than it should, given the talent of the performer pictured on its cover. The main string-puller here is Pink collaborator Linda Perry, who assists on numbers such as "Superwoman," a relatively lukewarm popper that requires Keys's herculean effort to lift it off the ground. Also problematic is "Lesson Learned," costarring Man with the Bland John Mayer. "Wreckless Love," which Keys handles on her own, is far livelier; the format-crossing hit "No One" simmers persuasively; and the album as a whole remains thoroughly listenable. Still, As I Am would have been stronger if it allowed Keys to show who she truly is.